中國(guó)民族風(fēng)格賦格曲主題研究.pdf

1、天津音樂(lè)學(xué)院碩士學(xué)位論文中國(guó)民族風(fēng)格賦格曲主題研究姓名：隋星申請(qǐng)學(xué)位級(jí)別：碩士專(zhuān)業(yè)：音樂(lè)學(xué)指導(dǎo)教師：孫云鷹;楊勇20071205民族風(fēng)格賦格曲主題研究 Abstract Abstract The thesis targets in subject research. Indeed, the author concentrates on some vogue que

2、stions about fugue in view of subject research. Further, the research extends to general counterpoint characteristics of polyphony music in national style. Quantity of fugue music works in national styl

3、es is very large, but theoretical literature which sum up about works’ intrinsic rules to direct works creation practice is rare. In this condition, some of new generations who want contributing to fugue music in

4、 national style don’t know how to begin facing creating objects without any rules. Instead, they can only pick out some mutual characteristics of left works in large quantity, so that they can find some th

5、eoretical pieces which support their creation. The author concludes some findings and thinking in his “picking-out” research in thesis. The thesis first refers to each aspect of national styled fugue subject, includin

6、g source, structure and mode of subject. Then the thesis refers to some vogue intrinsic aspects of fugue, such as response, parallel mode and rever. At last, the thesis refers to some general counterpoint chara

7、cteristic of fugue music in national style, such as interval, chord and Non-harmonic tone. In conclusion, the thesis reveals thinking structure from shallow to deep as subject- fugue- polyphony. In view of su

8、bject research, the author separates the research into 2 parts: one is creation technique of subject and the other is development technique of subject. Some questions faced in subject creation are included in

9、first part, and that is “subject”. Some extensions of subject creation ares included in second part, and those are “fugue” and “polyphony”. The thesis reveals author’s thinking in research with structure and contents me