喬志高翻譯研究

1、合肥工業(yè)大學(xué)碩士學(xué)位論文喬志高翻譯研究姓名：徐昊申請(qǐng)學(xué)位級(jí)別：碩士專(zhuān)業(yè)：外國(guó)語(yǔ)言學(xué)及應(yīng)用語(yǔ)言學(xué)指導(dǎo)教師：韓江洪2010-04iiiABSTRACT George Kao, also known as Gao Keyi, is a renowned writer and translator in the mainland, Hong Kong and Taiwan. He was influenced by Chinese and We

2、stern cultures since his childhood and had a good understanding of both Chinese and American languages and cultures. He published his first long translated masterpiece 《大亨小傳》 in 1971, then 《長(zhǎng)夜漫漫路迢迢》 in 1973 and 《天使，望故鄉(xiāng)》i

3、n 1985. For all the time, scholars in areas of literature and translation think highly of his translated works, on which, nevertheless, not many studies have been conducted in the mainland. This thesis will make a study

4、 on the three translated works of George Kao. Based on a specific analyze from the aspects of language and culture, the translation style of George Kao will be discussed. Based on the previous research findings that his

5、works are characterized with the old-fashioned language style, namely, a mixture between classical Chinese and vernacular Chinese, his translation style was summarized as follows: first, in morphology, Mr. Gao skillfully

6、 applied the four-character idioms in his translation; second, Mr. Gao did not stick to the grammar of the original article, instead, he represented the content of the original in his translation according to the Chinese

7、 grammar or pragmatic uses; third, as for images in the original, Mr. Gao chose different methods in translating them, depending on whether they could be translated in a Chinese manner. Some images proper to the original

8、 culture would be translated literally with explanations in the translated works, or they would be replaced by images in the culture of the target readers. Though researchers in translation circle give Mr. Gao’s translat