簡(jiǎn)介：分類號(hào)注1J6密級(jí)注2UDC注3學(xué)號(hào)注4D0802004博士學(xué)位論文藝術(shù)經(jīng)濟(jì)學(xué)視野下的宋代演藝市場(chǎng)研究藝術(shù)經(jīng)濟(jì)學(xué)視野下的宋代演藝市場(chǎng)研究研究生姓名錢慧導(dǎo)師姓名秦序研究員研究員申請(qǐng)學(xué)位級(jí)別博士學(xué)科專業(yè)名稱音樂學(xué)論文提交日期20152015年4月3030日論文答辯日期20152015年5月2020日學(xué)位授予單位南京藝術(shù)學(xué)院南京藝術(shù)學(xué)院學(xué)位授予日期20152015年6月日答辯委員會(huì)主席評(píng)閱人2015年4月30日內(nèi)容摘要與關(guān)鍵詞（中英文）藝術(shù)經(jīng)濟(jì)學(xué)視野下的宋代演藝市場(chǎng)研究藝術(shù)經(jīng)濟(jì)學(xué)視野下的宋代演藝市場(chǎng)研究中文摘要本文嘗試運(yùn)用音樂學(xué)（音樂歷史學(xué)）與經(jīng)濟(jì)學(xué)（藝術(shù)經(jīng)濟(jì)學(xué)）相結(jié)合的研究方法，以宋代演藝市場(chǎng)為研究對(duì)象，對(duì)宋代音樂發(fā)展中的若干經(jīng)濟(jì)問題進(jìn)行探究。在此基礎(chǔ)上，試圖通過對(duì)宋代“音樂經(jīng)濟(jì)”現(xiàn)象的研究，對(duì)音樂學(xué)與經(jīng)濟(jì)學(xué)的有機(jī)結(jié)合進(jìn)行初步實(shí)踐，并為推動(dòng)藝術(shù)經(jīng)濟(jì)學(xué)的發(fā)展做出有益探索。本文共分緒論、背景論、本體論、營(yíng)銷論、生產(chǎn)論、余論六個(gè)部分，主要內(nèi)容圍繞兩大問題展開一、宋代演藝市場(chǎng)的發(fā)展?fàn)顩r及其時(shí)代特色?！氨尘罢摗笔崂砹俗源呵飸?zhàn)國(guó)至隋唐五代演藝市場(chǎng)發(fā)展的基本脈絡(luò)，并對(duì)促進(jìn)宋代演藝市場(chǎng)成熟與興盛的時(shí)代環(huán)境進(jìn)行概述?！氨倔w論”著眼于演藝市場(chǎng)本身，對(duì)市場(chǎng)類型、市場(chǎng)結(jié)構(gòu)、市場(chǎng)管理等方面進(jìn)行解析?！盃I(yíng)銷論”以市場(chǎng)促銷為切入點(diǎn)，探究演藝市場(chǎng)中商業(yè)經(jīng)營(yíng)者與音樂生產(chǎn)者應(yīng)對(duì)市場(chǎng)競(jìng)爭(zhēng)的策略及其效用、特點(diǎn)?！吧a(chǎn)論”以專門性（勾欄市場(chǎng)）、依附性（酒店、茶坊市場(chǎng)）與民俗性（節(jié)慶、游樂、禮俗市場(chǎng)）三類市場(chǎng)為代表，論析了演藝市場(chǎng)中具體的音樂生產(chǎn)與消費(fèi)情況及其相關(guān)的經(jīng)濟(jì)問題，并就不同類型的演藝市場(chǎng)進(jìn)行比較。二、社會(huì)經(jīng)濟(jì)變革對(duì)宋代音樂轉(zhuǎn)型的影響。在“唐宋變革”的時(shí)代大背景下，面對(duì)商品經(jīng)濟(jì)的發(fā)展、豪商巨賈的活躍、財(cái)富力量的崛起、社會(huì)活力的增強(qiáng)，宋代政府轉(zhuǎn)變了經(jīng)濟(jì)管理模式，由以往（中唐以前）對(duì)“權(quán)力”的追求轉(zhuǎn)向?qū)Α袄妗钡年P(guān)注，甚至以一個(gè)“合作者”、“合伙人”的身份廣泛參與經(jīng)濟(jì)活動(dòng)，并憑借行政手段與民爭(zhēng)利、與商分利以獲取巨大的經(jīng)濟(jì)利益。在此影響下，民間的演藝市場(chǎng)獲得了前所未有的發(fā)展契機(jī)，與此同時(shí)樂人群體也隨之發(fā)生變化，不僅涌現(xiàn)出大量以游民為代表的“非籍”樂人，而且樂人的職業(yè)身份也開始“異化”，即由社會(huì)地位低下的傳統(tǒng)身份的“樂人”，轉(zhuǎn)型為具有“亦藝亦商”、“藝商兼?zhèn)洹钡奶厥馍矸莸摹吧倘恕被蚍Q“藝商”。而作為藝術(shù)/音樂生產(chǎn)者的“樂人”的身份與性質(zhì)的“異化”，無(wú)疑是促使宋代音樂轉(zhuǎn)型的重要因素之一。本文的創(chuàng)新之處在于，以經(jīng)濟(jì)學(xué)視角關(guān)照音樂史上的具體問題，將藝術(shù)經(jīng)濟(jì)學(xué)相關(guān)方法與理論運(yùn)用到古代音樂史的研究中。本文認(rèn)為，音樂學(xué)（音樂歷史學(xué)）與經(jīng)濟(jì)學(xué)（藝術(shù)經(jīng)濟(jì)學(xué)）的結(jié)合不僅有必要，而且很可行，更具有理論價(jià)值與學(xué)術(shù)意義。經(jīng)濟(jì)學(xué)方法的借鑒與理論的引入，有助于我們以更加全面、新穎的視角去捕捉、審視音樂發(fā)展中的經(jīng)濟(jì)問題，以及影響音樂歷史進(jìn)程的那只“看不見的手”?；谏鲜觯疚闹鲝?jiān)谝魳肥费芯恐泻侠斫梃b經(jīng)濟(jì)學(xué)（藝術(shù)經(jīng)濟(jì)學(xué)）的相關(guān)方法與理論，以更為廣闊的視野、更為綜合的方法去解讀古今中外的種種“音樂經(jīng)濟(jì)”現(xiàn)象，并揭示其形成、發(fā)展的規(guī)律及其文化內(nèi)涵。關(guān)鍵詞宋代；演藝市場(chǎng)；藝術(shù)經(jīng)濟(jì)學(xué)；音樂經(jīng)濟(jì)；音樂生產(chǎn)；文化轉(zhuǎn)型

簡(jiǎn)介：天津大學(xué)碩士學(xué)位論文蘇州園林與斯蒂文霍爾現(xiàn)象學(xué)建筑的聯(lián)系與啟示姓名馮琳申請(qǐng)學(xué)位級(jí)別碩士專業(yè)建筑歷史與理論指導(dǎo)教師王蔚20080601ABSTRACTTHETRADITIONALSUZHOUGARDENSANDSTEVENHOLL’SPHENOMENOLOGICALARCHITECTURERESPECTIVELYBEINGTHEPITHANDREPRESENTATIVEOFTHECHINESECLASSICALGARDENSARTANDTHEWESTERNCONTEMPORARYARCHITECTURALCULTURE，THEFORMERREFLECTSTHEPHILOSOPHYIDEOLOGYANDSPACEBUILDINGIDEAOFTHEANCIENTCHINAWITHTHEPROFOUNDINSIDEINFORMATIONOFOURCULTUREANDEXQUISITEGARDENING；THELATTERINTERPRETSTHEESSENTIALPOINTOFTHECONTEMPORARYARCHITECTURALCUKUREANDSPACEDESIGNINGWITHTHEUNIQUEARCHITECTUREPHENOMENOLOGYANDCREATIVEPRACTICE．CHINESEARCHITECTURALCOMMUNITYPAYSEARNESTATTENTIONTOTHEARTEXPRESSIVEFORCEOFBOTHOFTHEM,ANDTHENANALYSISANDRESEARCHBASEDONTHEABOVEHASGRADUALLYDEVELOPEDINTODEEPERANDBROADERDIRECTIONTHANTHATOFTHEPAST．HOWEVER，ACCORDINGTOTHEEXITINGRESEARCHFRUITS，MUCHDISCUSSIONABOUTTHESUZHOUGARDENSANDHOLL’SPHENOMENOLOGICALARCHITECTUREWASRESPECTIVELYCARRIEDONTHEIROWNAREAS，SOTHEDIFFERENCEBETWEENTHEMMADETHECOMPARISONANDRESEARCHOFTHECROSSERAANDCROSSCUKURALSYSTEMOFTHEMSTILLEMPTY．THEREFORE，THISTHESISINTENDSTOMAKEBREAKTHROUGHINTHISPARTANDCHANGETHEPASTISOLATEDRESEARCHMETHODSOFSUZHOUGARDENSANDHOLL’SPHENOMENOLOGICALARCHITECTURE．111ISTHESISWILLRECONSIDERTHEMWITHTHECONNECTEDVERSIONANDUSECOMPARISONASWELLASSEEKTHEESSENCEFROMTHEFACTS．INTERMSOFRESEARCHES，WECANFMDTHATALTHOUGHSUZHOUGARDENSANDHOLL’SPHENOMENOLOGICALARCHITECTUREISTHEOFFSPRINGOFDIFFERENTERAANDCULTURALCONTEXTASWELLASTHEIRWORKSNOTBELONGTOTHESAMESORT，BETWEENTRADITIONANDMODERN,EASTANDWEST，ANDGARDENSANDARCHITECTUREEXISTTHEPOTENTIAL,INEVITABLEANDIMPORTANTCONNECTION．THEREVELATIONOFTHERELATIVITYMAKESUSREALIZETHESPIRITOFARCHITECTUREANDMOUSEOUTTHEINHERENTCONNECTIONFROMTHEDEEPERLAY,WHENWECODEWITHTHEQUESTIONOFTHEINHERITANCEOFTHECHINESETRADITIONARCHITECTURALCUKUREANDTHEREFERENCEOFWESTERNMODEMARCHITECTURALCULTUREINTHEFUTURE．ITALSOHASVERYIMPORTANTENLIGHTENINGSIGNIFICANCEANDVALUEFORREFERENCEFORUSTOUSENEWTHOUGHT，OPENUPNEWANGLEOFVIEW，DEVELOPNEWTECHNIQUE，ANDTHENEXPLOITTHENATIONALANDMODEMROADOFCHINESEARCHITECTURE．THISTHESISISDIVIDEDINTOTHREEPARTASFOLLOWSINTHEFIRSTPLACE．THISTHESISELABORATETHEORIGIN，OBJECT，CONTENT，METHODSANDSIGNIFICANCEOFTHERESEARCHASWELLASTHESTRUCTUREOFTHISTHESISANDSOFORTH；ANDTHENELUCIDATESTHEPOTENTIALCONSISTENCY

簡(jiǎn)介：福建師范大學(xué)碩士學(xué)位論文芽孢桿菌（BACILLUSSP）產(chǎn)脂肪酶條件的優(yōu)化及酶的純化、酶學(xué)特性的研究姓名黃鷺強(qiáng)申請(qǐng)學(xué)位級(jí)別碩士專業(yè)生物化學(xué)及分子生物學(xué)指導(dǎo)教師謝必峰20040529芽孢桿菌肋CF7FW夠產(chǎn)脂肪酶條件的優(yōu)化及酶的純化、酶學(xué)特性的研究ABSTRACTLIPASESFROMBACILLUSSHOWHIGHTHERMOSTABILITYOFTHEIRLIPASEACTIVITIES，STABILITIESOFWIDAPHRANGEANDGOODORGANICSOLVENTTOLERANT，WHICHWEREAPPLIEDINBIOEATALYSISNONAQUEOUSMEDIAANDOPTICALLYACTIVESUBSTANCERESOLUTIONWESTUDIEDANEWISOLATEDWHICHWASCONSERVEDBYOBRINSTITUTEITWASIDENTIFIEDASBACILLUS艱BYPHYSIOLOGICALTESTANDBIOCHEMICALTEST．AUNIFORMEXPERIMENTALDESIGNWASUSEDTODETERMINEOPTIMUMFERMENTATIONCONDITIONSANDMEDIUMCOMPOSITIONSINSHAKEFLASKCULTIVATION．OPTIMIZATIONDATAWERECALCULATEDWITHDPSSETH,RAREAIDTHEOPTIMALLIPASEPRODUCINGCONDITIONSOFBACILLUSSP．W“EASFOLLOWS078％CORNSTARCHASBESTCARBONSOURCE．4．0％SOYBEANHIEALASBESTNITROGENS01．FFCEANDK2HP0404％，NAN0302％，INITIALPHL00，CULTURETEMPERATUREWAS32“C，SHARKFLASKCAPACITYWAS20ML，STIRRINGRATEWAS225R／MIN，GERMAGEWAS24H．GERMCONCENTRATIONWAS】O％ANDFERMENTATIONPERIODSWAS28H．THELIPASEWASPURIFIEDTOHOMOGENEITYUSINGAMMONIUMSULFATEPRECIPITATION，CATION．EXCHANGECHROMATOGRAPHYCMSPEPHROSEFFANDSCPHACRYLS200，ANDITSSPECIFICACTIVITYWASIMPROVED9．45一FOLDTHEMOLECULARMASSWASSHOWNTOBE3208KDABYSDSPAGEPROPEMESOFTHELIPASESHEWED1THEOPTIMUMTEMPERATUREWAS50℃ITSHOWSTHERMOSTABILITYUNDER50℃2THEOPTIMUMPHWAS9．0ITSHOWEDHI【G}1ACTIVITYINAPHRANGEFROM7．0TO1LOI3THEREWASNOTINCREASEDTOENZYMATICACTIⅥTYWITHC∥’，WHICHINDICATEDLIPAGEFROMBACILLUSSP．WASNOTAC擴(kuò)DEPENDEDLIPASE4NONIONICDETERGENTINCREASEDENZYMATICACTIVITYWITHLOWCONCENTRATION,YETITWASDECREASEDWITHHI曲CONCENTRATIONLNOICDETERGENTSHOWEDVARIEDDECREASEDEFFECTSTOTHELIPASEWITHEITHERHLGHORLOWCONCENTRATIONITINDICATEDTHATLIPASESFROMBACILLUSSPWOULDBEAPPLIEDWIDELYASITSHOWEDHIGHTHELMOSTABILITIESANDSTABILITIESOFWIDEPHRANGEKEYWORDSLIPASE，BACILLUSSP，OPTIMIZED，PURIFICATION，CHARACTERIZATIONII

簡(jiǎn)介：中南大學(xué)博士學(xué)位論文腦膠質(zhì)瘤的表觀遺傳學(xué)研究1LRRC4在腦膠質(zhì)瘤中失活的表觀修飾的分子機(jī)制2腦膠質(zhì)瘤DNA甲基化譜的初步構(gòu)建姓名張祖萍申請(qǐng)學(xué)位級(jí)別博士專業(yè)病理學(xué)與病理生理學(xué)指導(dǎo)教師李桂源20091001博士學(xué)位論文中文摘要制，我們開展了LRRC4基因的轉(zhuǎn)錄調(diào)控機(jī)制研究。采用高特異性的啟動(dòng)子預(yù)測(cè)軟件PROMOTERLNSPECTOR和PROMOTERSCAN對(duì)其啟動(dòng)子進(jìn)行了預(yù)測(cè)分析，同時(shí)采用CPGPLOT軟件對(duì)LRRC4基因5’端調(diào)控區(qū)的CPG島進(jìn)行了分析，三者預(yù)測(cè)結(jié)果大部分重疊，綜合分析我們初步鎖定LRRC4基因啟動(dòng)子區(qū)可能位于其翻譯起始位點(diǎn)上游2151BP至101BP以內(nèi)，因此我們?cè)O(shè)計(jì)引物擴(kuò)增LRRC4基因．2475A101的調(diào)控區(qū)片段，并構(gòu)建成熒光素酶報(bào)告載體PGL32475／．101。熒光素酶活性分析系統(tǒng)結(jié)果表明，PGL32475A101在COS7和HELA細(xì)胞具有與PGL3．CONTROL幾乎同等活性，這一結(jié)果表明LRRC4基因．2475／．101區(qū)域內(nèi)包含了LRRC4基因的啟動(dòng)子片段。為了進(jìn)一步定位LRRC4基因的啟動(dòng)子片段，以PGL32475／．101為模板，分別在它的5’或3’端缺失部分序列，構(gòu)建了一系列缺失突變體熒光素酶的報(bào)告載體，并將它們分別轉(zhuǎn)染COS7和HELA細(xì)胞中，發(fā)現(xiàn)．835A293區(qū)域是LRRC4基因發(fā)揮啟動(dòng)子活性的必需序列，缺失這一區(qū)域LRRC4基因啟動(dòng)子則喪失了全部的啟動(dòng)活性。為了驗(yàn)證該結(jié)果我們又構(gòu)建了PGL3．835／．293／EGFP報(bào)告載體，轉(zhuǎn)染COS7和HELA細(xì)胞，發(fā)現(xiàn)LRRC4基因的．835／293區(qū)域能驅(qū)動(dòng)EGFP在COS7和HELA細(xì)胞中的表達(dá)，從另一方面證明的一835／．293區(qū)域的啟動(dòng)活性。總之，通過以上研究我們成功地定位和克隆了LRRC4基因的啟動(dòng)子。LRRC4基因啟動(dòng)子在膠質(zhì)瘤中呈高甲基化狀態(tài)】生物信息學(xué)分析LRRC4基因的啟動(dòng)子序列，發(fā)現(xiàn)該序列不含有TATA盒和CAAT盒，GC含量高達(dá)70％左右，為一典型的CPG島，LI

簡(jiǎn)介：河北農(nóng)業(yè)大學(xué)碩士學(xué)位論文芙蓉葵（HIBISCUSMOSCHEUTOSL）主要生物學(xué)特性研究姓名劉坤申請(qǐng)學(xué)位級(jí)別碩士專業(yè)遺傳學(xué)指導(dǎo)教師馬峙英王省芬20080609STUDYONTHEMAINBIOLOGICALCHARACTERSOFHIBISCUSMOSCHEUTOSL．AUTHORLIUKUNMAJORGENETICSSUPERVISORPROF．MAZHIYINGPROEWANGXINGFENABSTRACTHIBISCUSMOSCHEUTOSL．ISSTUDIEDONBIOLOGICALCHARACTERS，CYTOLOGYCHARACTERS，VERTICILLIUMDAHLIAERESISTANCES，GENETICRELATIONSHIPBETWEENHIBISCUSMOSCHEUTOSL．ANDDIFFERENTCOTTONSPECIES．THROUGHTHESTUDYOFBOTANICCHARACTERSANDSTRESSRESISTANCE，THEFLORASABOUTHIBISCUSMOSCHEUTOSL．AREPERFECTED，THEPOTENTIALVALUEOFHIBISCUSMOSCHEUTOSL．TOIMPROVECOTTONGENETICSOURCESISCONFIRMEDFARTHER,THEINFORMATIONABOUTHIBISCUSMOSCHEUTOSL．GENETICRESOURCESISMORESYSTEMATICNESS，ANDCOTTONGENETICRESOURCERESEARCHISDONEBETWEENGENERA；THECHROMOSOMEHUMBEROFHIBISCUSMOSCHEUTOSL．ISENSURED，THEKARYOTYPEANALYSISANDTHEMEIOTICPROCESSOFPOLLENMOTHERCELLOFHIBISCUSMOSCHEUTOSL．ARERESEARCHED，WHICHPROVIDECYTOLOGICALBASISFORTHELATERWORKERABOUTHIBISCUSMOSCHEUTOSL．ANDCOTTONS；THEGENETICRELATIONSHIPAMONGHIBISCUSMOSCHEUTOSL．ANDCOTTONSWASESTIMATEDATMOLECULARLEVELCOMBINEDMORPHOLOGICALMARKERS．THEMAINRESULTSWEREASFOLLOWS1．WHENTHEFLOWERSOFHIBISCUSMOSCHEUTOSL．WEREOPENEDJUST，THEPOLLENVIABILITYISSTRONG；THELIFESPANOFTHEPOLLENMAYREACHTHREEDAYSATTHEROOMTEMPERATURE；THEPROPERCONDITIONOFTHEPOLLENBOURGEONISPH5．0，32“C，THECONCENTRATIONOFTHECANESUGAR30％ANDTHECONCENTRATIONOFTHEBORICACID1MERLE10MG／L；THEDIAMETEROFTHEMICROSPOREIS123．769M．HIBISCUSMOSCHEUTOSL．ISTHEHERBACEOUSPERENNIALPLANT，ITHASTWOFROMSOFPRODUCEWHICHARESEXUALPROPAGATIONANDASEXUALPROPAGATION；THEFLOWERSOPENINMORNINGANDCLOSEATNIGHT，SELFSTERILEBUTTHEFRUITSETTINGRATEISVERYLOW．2．THEWELLSPREADANDCLEARMITOTICMETAPHASECHROMOSOMESOFHIBISCUSMOSCHEUTOSL．WEREOBTAINED，2N2X38，N19．THEKARYOTYPEANALYSISINDICATEDTHATTHEREWASAPAIROFSATELLITESONCHROMOSOMENO．1，ANDTHEAVERAGELENGTHOFHIBISCUSMOSCHEUTOS’SCHROMOSOMESWAS5．96士0．839M．THEARNLRATIOOF10．5％CHROMOSOMESWASOVER2，ANDTHERATIOOFTHELONGESTCHROMOSOMETOTHESHORTESTONEWAS1．68．THEKARYOTYPEWAS2AANDTHEKARYOTYPEFORMULAEWAS2N2X3832M6SM2SAT．NOABNORMALBEHAVIORWASOBSERVEDINTHEMEIOTICPROCESSOFPOLLENMOTHERCELLOFHIBISCUSMOSCHEUTOS．THEREWERENINETEENBIVALENTS19IIATMETAPHASEI，INDICATINGITWASATYPICALDIPLOIDSPECIES．3．脅6BCUSMOSCHEUTOSL．CANHIGHRESISTANT1EVELWHICHINDUCEDBYVERTICILLIUMDAHLIAEINTWOWAYSOFGREENHOUSEANDASEPSISTABLEATSEEDLINGSTAGE．VERTICILLIUMDAHLIAECULTIVATEDCAN’TBESEPARATEDFROMTHEDISEASEPLANTSOFHIBISCUSMOSCHEUTOSL．INGREENHOUSEANDASEPSIS．TABLE．

簡(jiǎn)介：／11Y1／11／3111L／21／／191／1／／12／L／4IT／116L／IOT／ILLY3292460密級(jí)論文編號(hào)中國(guó)農(nóng)業(yè)科學(xué)院學(xué)位論文節(jié)節(jié)麥AEGILOPSTAUSCHIICOSS．生物學(xué)特。陛和遺傳多樣性THEBIOLOGICALCHARACTERISTICSANDGENETICDIVERSIT3’；‘。J、AEGILOPSTAUSCHIICOSS．碩士研究生王曉陽(yáng)指導(dǎo)教師李香菊研究員申請(qǐng)學(xué)位類別農(nóng)學(xué)碩士專業(yè)雜草學(xué)研究方向雜草生物學(xué)與生態(tài)學(xué)培養(yǎng)單位植物保護(hù)研究所研究生院2017年5月獨(dú)創(chuàng)性聲明本人聲明所呈交的滄文是我個(gè)人在導(dǎo)師指導(dǎo)卜進(jìn)行的研究1J侔及取褥的黟F究成果。盡我所知，除了文中特別加以標(biāo)注和致謝的地方夕|、，論文中不包含其他人已經(jīng)發(fā)表或撰寫過的研究成果，也不包含為獲得F{。圈農(nóng)業(yè)科學(xué)院或I￡它教育機(jī)構(gòu)的學(xué)位或證書麗使用過的材料。與我一同工作的同志對(duì)本研究所做的任何貢獻(xiàn)均已在論文中作了明確的說(shuō)明并表示了謝意。研究生簽名J眈陽(yáng)時(shí)間弘J7年，月Z∥同關(guān)于論文使用授權(quán)的聲明本人完全了解中國(guó)農(nóng)業(yè)科學(xué)院有關(guān)保留、使用學(xué)位論文的規(guī)定，即中國(guó)農(nóng)業(yè)科學(xué)院有權(quán)保留送交論文的復(fù)印件和磁盤，允許論文被查閱和借閱，可以采用影印、縮印或掃描等復(fù)制手段保存、匯編學(xué)位論文。同意中圈農(nóng)業(yè)科學(xué)院可以用不同方式在不同媒體上發(fā)表、傳播學(xué)位論文的全部或部分內(nèi)容。研究生簽名導(dǎo)師簽名翌鏹鬼亭B艄時(shí)間仞7年占月衫HH寸FU加17年歲月彩H

簡(jiǎn)介：復(fù)旦大學(xué)博士學(xué)位論文自身與他者的辯證關(guān)系利科自身解釋學(xué)思想研究姓名韓梅申請(qǐng)學(xué)位級(jí)別博士專業(yè)外國(guó)哲學(xué)指導(dǎo)教師莫偉民20120525關(guān)鍵詞主體自身他者敘事同～性中圖分類號(hào)B565有萎果么雕的讖幺嘴懶～一一一一耥堿_荽煅學(xué)是長(zhǎng)我樣艉蚨磁黼毗瞅舫主說(shuō)黼彭_萋溯嘞蝴冊(cè)翰蝦鼢

簡(jiǎn)介：胸存大意，筆下生輝胸存大意，筆下生輝論王學(xué)仲論王學(xué)仲現(xiàn)代現(xiàn)代文人文人畫之追求畫之追求ONPURSUITOFMODERNLITERATIPAINTINGACASESTUDYOFWANGXUEZHONG專業(yè)美術(shù)學(xué)作者姓名萬(wàn)倩如指導(dǎo)教師孫國(guó)喜教授天津大學(xué)建筑學(xué)院二零一五年五月摘要摘要中國(guó)文人畫產(chǎn)生于晉代，興于宋元，至明清而大盛。最初，文人畫是被用來(lái)區(qū)別宮廷畫師和民間畫匠的作品，隨著歷史的發(fā)展，藝術(shù)家越來(lái)越注重創(chuàng)作中感情、個(gè)性成分的表達(dá)及對(duì)于畫面中氣韻與意境的追求。在二十世紀(jì)八十年代中期的西化風(fēng)潮中，部分目光長(zhǎng)遠(yuǎn)的藝術(shù)家們開始反思國(guó)畫的當(dāng)代藝術(shù)價(jià)值，一股回歸民族傳統(tǒng)的思潮被重新提出。出于對(duì)傳統(tǒng)樣式的繼承與民族情感的表達(dá)，“新文人畫”的概念被提出，藝術(shù)家們?cè)噲D用現(xiàn)代的筆墨表達(dá)古人的情趣。雖以“新”為名，卻不免落入了追求形式的俗套。王學(xué)仲先生提出了“現(xiàn)代文人畫”的概念，從畫面的立意、體格、意境、哲學(xué)內(nèi)涵等方面對(duì)現(xiàn)代文人畫進(jìn)行了系統(tǒng)的歸納、概括。他將哲理蘊(yùn)涵其中，賦予現(xiàn)代文人畫新的時(shí)代面貌與詩(shī)學(xué)意境。本文通過王學(xué)仲先生的畫作及其相關(guān)研究成果，探究其作品風(fēng)格、藝術(shù)思想和藝術(shù)內(nèi)涵，并努力挖掘王學(xué)仲先生的現(xiàn)代文人畫價(jià)值及影響。本文的研究思路主要是在現(xiàn)有的理論資料基礎(chǔ)上進(jìn)行歸納與總結(jié)，對(duì)王學(xué)仲先生現(xiàn)代文人畫作品中的具體畫作進(jìn)行分析研究的同時(shí)，進(jìn)一步研究相關(guān)論據(jù)加強(qiáng)例證，來(lái)探求王學(xué)仲先生現(xiàn)代文人畫的藝術(shù)特點(diǎn)。同時(shí)，也希望通過研究王學(xué)仲先生的現(xiàn)代文人畫作品，能對(duì)于現(xiàn)代文人畫研究的大課題有新的啟發(fā)，為今后的現(xiàn)代文人畫理論研究提供借鑒。關(guān)鍵詞關(guān)鍵詞王學(xué)仲先生；現(xiàn)代文人畫；野逸美

簡(jiǎn)介：武漢理工大學(xué)碩士學(xué)位論文艾丁堡學(xué)派的科學(xué)知識(shí)社會(huì)學(xué)解釋理論研究姓名熊瑛申請(qǐng)學(xué)位級(jí)別碩士專業(yè)科學(xué)技術(shù)哲學(xué)指導(dǎo)教師黎德?lián)P200141武漢理工大學(xué)碩士學(xué)位論文ABSTRACTEDINBURGHSCHOOL，F(xiàn)OUNDEDM1970’S，BROUGHTSCIENTIFICKNOWLEDGEINTOTHESTUDY灑GSCOPEOFSOCIOLOGY，THUSINTHESCIENTIFICSTUDYOFSOCIOLOGYANEWSCHOOLSOCIOLOGYOFSCIENTIFICKNOWLEDGECAMEINTOBEINGTHEBIRTHOFTHISSCHOOLMARKEDTHESOCIOLOGICALORIENTATIONININTERPRETINGSCIENTIFICKNOWLEDGE，KNOWLEDGEANDSOCIALTMAGERYWRITTENBYDBLOOR，ANIMPORTANTREPRESENTATIVEFIGUREOFTHESCHOOL，HASMADEASURVEYOFSCIENTIFICKNOWLEDGEANDDETERMINEDTHEPOSITIONSANDSTUDYINGPROGRAMSOFTHESOCIOLOGYOFSCIENTIFICKNOWLEDGEWHICHWERECALLED”THESTRONGPROGRAMSINTHESOCIOLOGYOFSCIENTIFICKNOWLEDGE”SINCETHEYWEREPUTFORWARD，THEREHAVEBEENNORESTRICTEDAREASINTHESOCIOLOGICALRESEARCHINTOSCIENTIFICKNOWLEDGETHECOREOFEDINBURGHSCHOOL’STHEORYOFSOCIOLOGICALINTERPRETATIONOFSCIENTIFICKNOWLEDGEIS”THESTRONGPROGRAM“．CENTERINGAROUNDTHECORE，THISSCHOOLGIVESNEWINTERPRETATIONANDDEFINITIONABOUTTHEBASICCONCEPTSINEMPIRICISMMTHENEWWAYSSUCHAS”SENSUALEXPERIENCE”、”REALITY”、”TRUTH”AND“REASONABLENESS”ETCACCORDINGTOTHISTHEORY．THESTANDPOINTSANDMODEOFTHINKINGMPHILOSOPHYAREDETERMINEDBYSOCIALUNAGEANDTHEMETAPHOROFSOCIALIDEOLOGY，THESOCIOLOGICALMETHODCANBEUSEDTODESCRIBEALLKNOWLEDGESYSTEM,INCLUDINGTHOSESUBJECTSFARAWAYFROMEXPERIENCESUCHASMATHEMATICSANDLOGICALLTHESEIDEASHELPTOFORMITSUNIQUESCIEMIFICOUTLOOK，SOCIOLOGICALIDEAOFMATHEMATICSANDLOGICTHISSCHOOLHASCHANGEDTHECLASSICALOUTLOOKOFREALITYANDTRUTHANDTHEIDEAONSCIENTIFICREASONABLENESSANDFORMEDASOCIALIZEDEPISTEMOLOGYBYCOMBININGEPISTEMOLOGYWITHSOCIOLOGYITLAYSEMPHASISOILINTERPRETINGBELIEFINTHELIGHTOFSOCIALCONDITIONWHICHABELIEVERISINANDPUTSSCIENTIFICKNOWLEDGEINTOIDEOLOGYTOSEARCHFORTHEIRRELATIONSHIP，WHICHPRESENTSAUNIQUEPOINTOFVIEWFORSTUDYINGTHISPAPERFIRSTELABORATESEDINBURGHSCHOOLLSTHEORYOFSOCIOLOGICALINTERPRETATIONOFSCIENTIFICKNOWLEDGEONTHEBASISOFTHAT，ITTRIESTOSHOWTHATITISTHEFIRSTTIMEDBLOORHASAPPLIEDTHESOCIALIZEDEPISTEMOLOGYTOTHESTUDYOFSCIENTIFICKNOWLEDGEA／THOUGH

簡(jiǎn)介：東南大學(xué)博士學(xué)位論文藝術(shù)學(xué)視角下的楚漆器文化特質(zhì)姓名桂俊榮申請(qǐng)學(xué)位級(jí)別博士專業(yè)藝術(shù)學(xué)指導(dǎo)教師劉道廣20090901ABSTRACTARTISTHESPECIFICFORMSOFCULTURETOIMAGE．UNDERTHESAMECULTURALSYSTERN．ARTHASCONUTLONCULTURALTRAITSWHICHAREPRESENTEDINTHEFORMSOFSPECIFICLAWSANDAESTHETICPERCEPTIONONTHEFORMANDFEELING1EVELOFTHEARTISTICVALUE．ASTHEREPRESENTATIVEOFCHUART．THELACQUERSHAVETHETYPICALCULTURALTRAITS．FROMTHEPERSPECTIVEOFARTTHEORY．ANDUNDER也ECHUCULTURE，THISPAPERHASMADEACOMPARISONAMONGMANYARTFORMSLATERALLYANDALSOMADEAEXPLORATIONTOSPECIFICREPRESENTATIVEFORMSOFCHUCULTURALTRAITSINTHEASPECTSOFPERFORMINGLAWS，SPIRITUALCONNOTATION，ANDSOON．AUTHEARTFORMSHAVETHEIROWNREASONSTOBETHERE．THESOCIAL．ECONOMICANDCULTURALREASONSOFLACQUERSHAVEBUILTTHECULTURALBACKGROUNDOFCHUART．CRAFTTRADITIONANDCULTUREHAVEALSOEXERTEDTHEIRINFLUENCEONTHEARTFORMSOFCHUIACQUERS．THISHASPUSHEDCHULACQUERSINTOTHEKEYARTFORMDURINGTHEPERIODOFSPRINGANDAUTUMNWARRINGSTATES．HIGHERFUNCTIONSANDPROFICIENTARTISTICPERFORMANCEOFTHELACQUERSAREPERFECTLYCOMBINEDWHILETHESHAPESANDCOLORSAREEMBODIEDWITHAPPARENTCULTURALCHARACTERISTICSWHICHHAVEBEENSHOWNINOTHERARTFORMS．LACQUERSAREWIDELYAPPLIEDINCHUSOCIETYWITLLTHEIRVARIOUSTYPESANDGORGEOUSNUMBER．GREATINNOVATIONSAREBRAVELYAPPLIEDINTHETRADITIONALCONTAINERS，WHICHHASBROUGHTALOTOFONESREVEALINGNEWAESTHETICALTASTE．SOMANY1ACQUERSAREPUTINTOLIFECIRCLESTOIMPROVETHELIVINGSTANDARD．MAKINGADETAILEDANALYSISWITHTHELACQUERSOFCULTURALCHARACTERISTICS。THEPAPERTRIESTOSUMMARIZETHEREGULATIONOFTHEARTDEVELOPMENT．THECHANGEOFARTFORMSISMORETHESPECIFICPRESENTATIONOFTHECULTUREANDTHOUGHTTHANTHEPRODUCTOFITSOWNEVOLUTION．THESAMEEVOLUTIONLAWSANDTHECOMMONCULTURALANDTHINKINGBACKGROUNDARENOTONLYTHECOMMON仃AITSOFCHUARTFORMSBUTALSOHAVELAIDTHEBASISOFANALYZINGTHESPIRITUALCONNOTATIONOFCHUART．UNDERTHEPERSPECTIVEOFART，THEARTISTICAESTHETICTRAITSOFTHECOLORANDSHAPEOFCHU1ACQUERSHAVETOTALLYREVEALEDTHEIRHIGHARTISTICSTANDARD．UNDERTHEBACKGROUNDOFCHUCULTURE，THEORNAMENTATION，THECOLORANDTHESHAPE．ASTHEARTISTICSYMBOLSOFCHUCULTURE，HAVEEMBODIEDRICHCULTURALCONNOTATION．THESESPECIALTIESHAVEEXPLAINEDTHESPECIALETHICS，THECONCEPTOFLIFE．THESENSEOFUNIVERSEANDTHENATIONALCULTURALEMOTION．THESEARTISTICSYMBOLSHAVECONSTRUCTEDTHEAESTHETICLAYEROFCHUARTANDHAVEBECOMETHEREPRESENTATIVESOFTHEARTISTIC仃AITSOFCHUCULTURE．THEVAREBOTHTHEEXTENSIONOFTHEORIGINALMYTHOFTHINKINGOFCHUPEOPLEANDTHEREFLECTIONOFMODEMRATIONALTHINKING．IRRATIONALMYSTERIOUSTHINKINGANDTHERATIONALCONE印TOFUNIVERSEHAVEMADETHESPECIALSPIRITANDARTTRAITSOFCHUCULTUREWHICHAREPRESENTEDSPECIFICALLYASTHERICHIMAGINATION．FULLDYNAMICEMOTIONANDTHECONCEPTOFUNIVERSE．ASTHETOPTWOARTFORMSOFCHUCULTURE，LACQUERSANDQUFU，HAVEPUTUPTHECULTURALCHARACTERISTICSANDTHEARTISTICAESTHETICSTOGETHERWITHTHEOTHERARTFORMS．ITISTHEMTHATHAVECONTAINEDTHECULTURALTRAITSOFCHUART．NISNOTTOGOBACKTOTHEPASSEDHISTORYTOBECONCEMEDABOUTTHETRADITIONALARTANDTODEEPLYPUTACROSSTHETHEORETICALMEANING，BUTTODIGOUT也EPRACTICALSIGNIFICANCE．CHUCULTURE，WITLLITSSUPERINCLUSIVEANDOPENCHARACTERS．HASINTEGRATEDAVARIETYOFCULTURETOFORMITSOWNSPECIALCHARACTERISTICSANDORIGINALCULTURE．THEARTFORMINNOVATEDITSELFINTHECULTURALCOMBINATIONWHILEHOLDINGITSOWNCULTURALTRAITS．ANDMADEITSELFPOPULARANDAFFCCTING．THEENERGYANDAFFECTIONOFCHUARTAREPROVOKINGANDAROUSING．WHICHDESERVESTOBEBORROWEDFORREFERENCE．KEYWORDSCHULACQUERS；CULTURALTRAITS；SPIRITUALCONNOTATION；MYTHICALTHINKING；UNIVERSEⅡ

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簡(jiǎn)介：西北師范大學(xué)研究生學(xué)位論文作者信息論文題目胡塞爾內(nèi)時(shí)間意識(shí)現(xiàn)象學(xué)研究姓名梁鑫磊學(xué)號(hào)2010210376專業(yè)名稱外國(guó)哲學(xué)答辯日期5月18日聯(lián)系電話13919151011E_MAILYISHUAIDAODI163COM通信地址郵編甘肅省蘭州市安寧區(qū)費(fèi)家營(yíng)蘭飛家屬區(qū)（730070）備注

簡(jiǎn)介：中國(guó)美術(shù)學(xué)院學(xué)位論文原創(chuàng)性聲明本人鄭重聲明所提交的學(xué)位論文是本人在導(dǎo)師的指導(dǎo)下，獨(dú)立進(jìn)行研究工作所取得的研究成果。除文中已經(jīng)加以標(biāo)注引用的內(nèi)容外，本論文不包含其他個(gè)人或集體已經(jīng)發(fā)表或撰寫過的研究成果，也不含為獲得中國(guó)美術(shù)學(xué)院或其它教育機(jī)構(gòu)的學(xué)位證書而使用過的材料。對(duì)本文的研究作出重要貢獻(xiàn)的個(gè)人和集體，均已在文中以明確方式標(biāo)明。本人承擔(dān)本聲明的法律責(zé)任。儲(chǔ)躲卻氣節(jié)吼帥年歲肌旱學(xué)位論文版權(quán)使用授權(quán)書本學(xué)位論文作者完全了解學(xué)校有關(guān)保留、使用學(xué)位論文的規(guī)定，同意學(xué)校保留并向國(guó)家有關(guān)部門或機(jī)構(gòu)送交論文的復(fù)印件和電子版，允許論文被查閱和借閱。本人授權(quán)中國(guó)美術(shù)學(xué)院可以將本學(xué)位論文的全部或部分內(nèi)容編入有關(guān)數(shù)據(jù)庫(kù)進(jìn)行檢索，可以采用影印、縮印或掃描等復(fù)制手段保存和匯編本學(xué)位論文。本學(xué)位論文屬于1、保密口，在年解密后適用本授權(quán)書。2、不保密酣。作者簽名導(dǎo)師簽名請(qǐng)?jiān)谝陨舷鄳?yīng)方框內(nèi)打“4“日期協(xié)F。年L『月F。日日期2，P年咋月2，孑日藝術(shù)與博物館英美藝術(shù)博物館學(xué)研究ARTANDMUSEUMASTUDYOFANGLOAMERICANARTMUSEOLOGY』|IILLLLL1014