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簡介：姓名郭賽男學號2009020726電子郵箱MASHANGJIUGAI126COM聯(lián)系方式13658642522所在學院音樂學院獨創(chuàng)聲明本人聲明所呈交的學位論文是本人在導師指導下進行的研究工作及取得的研究成果。據(jù)我所知，除了文中特別加以標注和致謝的地方外，論文中不包含其他人已經(jīng)發(fā)表或撰寫過的研究成果，也不包含為獲得（注如沒有其他需要特別聲明的，本欄可空）或其他教育機構的學位或證書使用過的材料。與我一同工作的同志對本研究所做的任何貢獻均已在論文中作了明確的說明并表示謝意。學位論文作者簽名導師簽字學位論文版權使用授權書學位論文版權使用授權書本學位論文作者完全了解學校學校有關保留、使用學位論文的規(guī)定，有權保留并向國家有關部門或機構送交論文的復印件和磁盤，允許論文被查閱和借閱。本人授權學校學校可以將學位論文的全部或部分內容編入有關數(shù)據(jù)庫進行檢索，可以采用影印、縮印或掃描等復制手段保存、匯編學位論文。（保密的學位論文在解密后適用本授權書）學位論文作者簽名導師簽字簽字日期201年月日簽字日期201年月日

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簡介：蘭州大學碩士學位論文論羅伯格里耶小說與電影中的藝術互滲現(xiàn)象姓名孫琳申請學位級別碩士專業(yè)比較文學與世界文學指導教師樊得生20100501蘭州大學碩士學位論文論格里耶小說與電影中的藝術互滲現(xiàn)象ABSTRACTSFRENCHLEFTBANKDIRECTORALAINROBBOGRILLETISALSOANNEWNOVELISTS．WHENHECREATEDANOVEL，HEOFTENAPPLIEDTHETHEORYANDARTISTICTECHNIQUESOFTHEFILM．CHOSENTHISMUTUALINFILTRATIONPHENOMENONOFROBBEGRILLET’SCREATIONONNOVELSANDFILMSASSTUDYOBJECT,NLISPAPERANALYZEDTHECHARACTEROFIMAGEINROBBECRRILLCT’S_MATERIALIZATIONNOVDS’ANDLITERARYFACTORSINFILMS，WITHTHEDEEPDISCUSSIONONHOWPHENOMENOLOGYPLAYEDAPERCEPTUALGUIDANCEINTHEPROCESSOFPICTORIALIZATIONOFROBBEGRILLET’S、、MATERIALIZATIONNOVELS’，ANDHOWLITERARYNOTIONOFNOUVEAUROMANPLAYEDAIDEATIONALGUIDANCEINTHEPROCESSOFINNOVATIONOFARTISTICMEANSINROBBEGRILLET’SFILMS．THETHESISISDIVIDEDINTOINTRODUCTION,BODYANDCONCLUSIONTHREEPARTS．11LCIN．EDUCTIONBRIEFLYRECOMMENDEDTHEDOMESTICRESEARCHSTATUSQUOONTHEPHENOMENONOFARTSMEANSMUTUALINFILTRATIONOFGRILLET’SNOVDSANDFILMS．ANDTHETEXTWASINTHREEPARTS，N屺FIRSTPARTSTARTEDFROMROBBEGRILLET’SACADEMICBACKGROUND，ANDFIRSTLYINTRODUCEDTHEHISTORICALBACKGROUNDANDREPRESENTATIVESOFNOUVEAUROMAN,INWHICHFOCUSEDONTHEDISCUSSIONOFNOUVEAUROMAN’STHEORIESANDTHEINNOVATIONSOFARTISTICMEANSOFNOUVEAUROMAN’SNOVELS．AFTERTHEN1WOULDEXPLAINTHEREASONFORTHEPROSPEROUSOFFRENCHFILMS，F(xiàn)OCUSEDONTHEDISCUSSOFTHECONCELLLLEFTBANKDIRECTORSHOWCONSCIOUSNESSANDUNCONSCIOUSNESS，ANDTHEANALYSISOFTHEAESTHETICPRINCIPLESANDENGLISHSTYLEIRILTOROFNOUVEAUROMAN．111ESECONDPARTWASMAINLYPROCEEDINTHEORETICALREPRESENTATION，WHICHISCONSTITUTEDBYTHETWOPLATES．硼的SECTIONOF”MATERIALIZATIONOFTHENOVELWORLD“CONCLUDEDINTHEDUALINFLUENCEOFMATERIALIZATIONTHEORYANDPHENOMENOLOGYGRILLET’SNOVELSCLEAREDUPTHENDEPTH”BUILDINGSOFTRADITIONALNOVELSWITHTHEPICTORIALIZATIONANDFRAGMENTATIONOFOBJECTS，BYTHECONTRASTOFREALISTNOVELSIN19THCENTURYANDROBBEGRILLET’SDOUBLE”MATERIALIZED”NOVEL．INTHESAMETIMEGRILLETRECONSTRUCTEDAKINDOFNOVELWITHFILMCHARACTERINTHEWAYOFBLOWINGUPTHECENTERANDSMASHINGSECTIONSWHICHISSIMILAR謝MDISPOSITIONOFTHEFILM．ANDTHEPARTOF”LITERATUREOFTHEFILMWORLD”REACHEDACONCLUSIONWHENGRILLETINTRODUCEDPOLYTONALITYANDALIENATIONEFFECTSINTOHISFILMS，INACTUALLYHEHADSUCCESSFULLYSUBVERTEDTHETRADITIONALIDEAABOUT蚺NEWNOVEL”INTHEFILMFIELD．BYTHECONTRASTOFTHECLASSICHOLLYWOODTRADITIONFILMSANDTHEPERSONALIZEDSTYLEOFROBBEGRILLET’SⅡ

簡介：分類號UDC密級編號幸I初大訾碩士學位論文論文題目?論極力話語理論對．．氐駱駐樣子一??一兩全蓑譯本的闡強???．．?學科、專業(yè)?一處凰語言學及應用語言堂??．研究生姓名??????張?．瑗???????導師姓名及專業(yè)技術職務????．賈塞波～擻?援????．20L0年11月??LF|I|F|||I|||L|||||L啪|I|LLFIILLLIILIH{Y1917618THETRANSLATIONOF三UD丁UD刪Ⅳ翎EXPLAINEDBYPOWERDISCOURSETHEORYBASEDONTWOENGLISHVEL峪IONSTHESISSUB“TTEDIILP枷ALFHLFILHILENTOF岫REQUIREMENTSFORTHEDEGREEOFMAS由EROF√LRTSTOT11E㈨ATESCHOOLOFCER燈ALSOUTHU『NIVERSIT，BYZHANGYAOSUPERVISORPROFESSORJIAWBNBONOV．2010CENTRALSOUTHUNIVERSITY

簡介：周敏論曾梵志人物畫藝術特色目錄中文摘要????????????????2ABSTRACT．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．3引言?????????????????4第一章曾梵志表現(xiàn)主義繪畫形成的背景???????7第一節(jié)畫家個人的性格特征????????????．．7第二節(jié)藝術創(chuàng)作的時代背景????????????．．8第三節(jié)表現(xiàn)主義手法的影響????????????．．9第二章曾梵志人物畫的創(chuàng)作分類及其代表作?????．．11第一節(jié)協(xié)和醫(yī)院系列??????????????．11第二節(jié)面具系列???????????????．．14第三節(jié)肖像畫系列???????????????22第三章曾梵志人物畫價值以及對后世的啟示???????26第一節(jié)曾梵志人物畫的價值及地位??????????．26第二節(jié)曾梵志人物畫對于后世的啟示?????????．．29結語????????????????????．．32參考文獻???????????????????33致謝????????????????????．．35攻讀學位期間發(fā)表的學術論文目錄??????????．36揚州大學學位論文原創(chuàng)性聲明和版權使用授權書?????．．37周敏論曾梵志人物畫藝術特色ABSTRACTINTHESUMMEROF1913，COHENARTSALONORGANIZEDTHEEXHIBITIONENTITLED‘RHINEEXPRESSIONISTARTISTS’，WHICHISTHEFIRSTAPPEARANCEOFTITLEWITH‘EXPRESSIONISTARTIST’INTHEGERMANYARTHISTORY．WITHTHEINFLUXOFWESTERNEXPRESSIONISMTHOUGHTS，CHINESEPAINTERSWEREPROMPTEDTOFURTHERSTRENGTHENTHEEXPLORATIONANDSTUDYOFCHINESEEXPRESSIONISTPAINTING．BORNINTHE1960S，F(xiàn)ANZHIZENGEXPERIENCEDCHINESEDRAMATICANDCOMPLEXSOCIALCHANGESTHROUGHHISLIFE．USINGTHEEXPRESSIVEPAINTINGLANGUAGEINTHEARTFIELDHEPROFOUNDLYEXCAVATEDPEOPLE’SPSYCHOLOGICALINFLUENCEUNDERPINSTHERAPIDDEVELOPMENTINCHINESESOCIETY．ZENG’SWORKSARESIMPLE，BUTFULLOFIMPACTSANDSTORIESINSIDE．THESEWORKSWERETHEEXACTREFLECTIONSOFHISOWNLIFEEXPERIENCE．HISEARLYWORKS，CHARACTERIZEDWITHADISTINCTIVEINDIVIDUALISTICSTYLE，EXPLOREDTHEMOSTESSENTIALCOMPONENTSINHUMANNATURE，WHICHWERERARELYMENTIONED，BUTWOULDNEVERBEFORGOTTEN．WITHHISCONSTANTREFORMANDINNOVATIONS，ASWELLASTHECONTINUOUSPURSUITWITHEFFORTS，HEGOTRIDOFTHEBONDAGESANDBROUGHTADRAMATICLEAPINCHINESETRADITIONALPAINTING．DURINGTHETIMEWHENSOCIALREALISMPAINTINGSPREDOMINATEDTHEMAINSTREAMCULTURE，ZENG’SWORKSNOTONLYBROUGHTPEOPLEWITHFRESHPERCEPTIONS，BUTALSOENCOURAGEPEOPLETOSTOPTOPONDERTHELIFE．HECREATEDANEWPAINTINGSTYLE．THESTUDYAIMEDTOANALYZEHISENTIREPAINTINGPROCESSANDINSEARCHOFNEWUNDERSTANDINGOFHISPAINTINGSBASEDONTHEUNIQUEEXPRESSIONISTPAINTINGLANGUAGE．USINGTHEIMAGE，PSYCHOLOGY，LANGUAGEANALYSISANDOTHERPARTICULARMETHODS，THEPRESENTSTUDYWASDESIGNEDTOINTERPRETTHEFEATURESINZENG。SPAINTINGS．OURPAPERWOULDNOTONLYHELPREADERSTOFINDZENG’UNIQUEPAINTINGSTYLE，THEINHERENTNATUREOFTHISGENIUSPAINTER’SIMAGINATIONANDESSENCEOFTHEARTWORKS，BUTALSOWOULDPROVIDEUSWITHINSPIRATIONINTHECREATIONOFPAINTINGANDGUIDANCEFORPRACTICALWORKSKEYWORDSFANZHIZENGEXPRESSIONISMPAINTINGCHARACTERISTICVALUEINSPIRATION

簡介：原創(chuàng)性聲明本人鄭重聲明所呈交的學位論文是本人在導師的指導下獨立進行研究工作所取得的成果，論文中有關資料和數(shù)據(jù)是實事求是的。除文中已經(jīng)注明引用的內容外，本論文不含任何其他個人或集體已經(jīng)發(fā)表或撰寫過的研究成果。對本文的研究做出重要貢獻的個人和集體，均已在文中以明確方式標明。若有不實之處，本人愿意承擔相關法律責任。學位論文作者簽名日期■汐I腳7L月IJ“R學位論文版權使用授權書學位論文作者完全了解北京服裝學院有關保留和使用學位論文的規(guī)定，即研究生在校攻讀學位期間論文工作的知識產(chǎn)權單位屬北京服裝學院。學校有權保留并向國家有關部門或機構送交論文的復印件和電子版，允許學位論文被查閱、借閱和復??；學?？梢詫W位論文的全部或部分內容公開或編入有關數(shù)據(jù)庫進行檢索，可以允許采用影印、縮印或其它復制手段保存、匯編學位論文。保密的學位論文在解密后適用本授權書。學位論文作者簽名導師簽名＼日期矽／二年，Z月FRR日期沙L砂年F乙月F廠RTHEMUSICALCHARACTERINLANDSCAPEARTABSTRACTARTWASNOTASINGLECLASSFROMTHEOUTSET，ANDITCOULDAPPEARMOREDIVERSEKINDSOFFORMSWITHTHEDEVELOPMENTOFTHEARTS．ACCORDINGTOTHEEXISTENCEOFTHEARTSTATE，THEARTFORMCANBEDIVIDEDINTOTHESPACEART，TIMEARTANDSPACETIME．ART．THELANDSCAPECONSISTSINSPACEART，ANDTHEMUSICARTISINCLUDEDINTHETIME．ART．ALTHOUGHBOTHOFTHEMSEEMINGLYBELONGINDIFFERENTCATEGORIESOFTHEARTS，THEYHAVEALLKINDSOFCONNECTIONSWITHEACHOTHER,WHICHIMPLYATEMPORALANDSPATIALRELATIONSHIP．THATIS，THEYARESUBJECTTOTHESPACETIMEART．THISARTICLEWILLEXPLORETHEUNDERLYINGMUSIC．ALNATURETHROUGHANALYZINGTHEMEANINGANDFEATURESOFDIFFERENTASPECTSOFLANDSCAPEART．TOEXPLAINTHEMUSICALCHARACTERINTHELANDSCAPEARTFROMTHREE_DIMENSIONALMUSICALPROPERTY，THEDYNAMICLANDSCAPEMUSICALPROPERTYANDMULTIDIMENSIONALLANDSCAPEARTMUSICALPROPERTY．MEANWHILE，ITALSOANALYZESTHERELATIONSHIPBETWEENLANDSCAPEARTANDMUSICARTTOREFINETHEMUSICALCHARACTERINLANDSCAPEART．THEREBYRAISETHATTHEMUSICALCHARACTERCANASSISTTHEDEVELOPMENTOFLANDSCAPEARTBETTER，ANDTHELANDSCAPEARTNEEDSTHEMUSICALNOURISHMENTANDINSPIRATIONTOSUBLIMATETHESPIRITOFLANDSCAPEART．KEYWORDSLANDSCAPEART；MUSICART；MUSICALCHARACTERII